The work exists at the bound­ar­ies of film/moving image. It encom­passes neur­os­cience, vis­ion, geo­metry and illu­sion and is designed to work spe­cific­ally on the human eye and brain. It is cur­rently being developed as an neur­os­cientif­ic invest­ig­a­tion into aes­thet­ics, pat­terns and the sublime.

It pro­duces a strong effect in many people — they are often com­pletely mes­mer­ised by the aes­thet­ic qual­it­ies of the work and spend a long time with the work.

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